15 Best horror movie sequels that will have you screaming this Halloween - newbornyeationat
The 15 best horror movie sequels that will have you screaming this Hallowe'en
Horror follow-ups are ten a penny, but how many of them are in reality some good? The best revulsion movie sequels can be hard to find, but that's where we come in. We've saved you from wading through the slew numeral of sequels out in that location away rounding rising the greatest further installments in around iconic spooky franchises, thusly you know which are worth checking out this Halloween.
We've got some long-familiar faces on our list – say hello to Freddy Krueger, Jason Voorhees, Michael Myers, and Ghostface – as recovered as creepy hauntings, shambling zombies, hair-raising murders, and plenty more besides. Only the rattling best horror movie sequels made IT on our number, too, and so you can rest assured that any you opt from the roundup below, it's bound to exist a blast.
So, without further flurry, scroll on to see what made the cut and get planning those alarming movie marathons – and maybe sleep in with the light on tonight…
- The world-class repulsion movies ever
- The best Netflix horror movies
15. Final Destination 3
With the novelty of the first two movies well and truly shaken off, it's the third Final Destination where the premise unfeignedly shines. Director James Wong returns to the serial, having stepped aside for the archetypal sequel, bringing a hoy, less sombre tone to proceedings. This time the premonition episode, the opening catastrophe defining each entry in the series, is fewer declamatory and theatrical than the premature two. Final Address 3 forgoes a plane crash or elevator car wreck in favour of a rickety rollercoaster at a localized carnival… that's bound for the flames, obviously.
The lucky youngster singled out this time is Wendy, played past Mary Elizabeth Winstead. As the editor of the school report, it's she WHO experiences the grim fate that awaits and leads the subsequent investigation into why IT happened. And yet, there's less accent on this batch of doomed teens trying to figure out WHY they'ray being picked polish off one-away-i, and more happening threading coal black humour into their horrific, inevitable, deaths.
14. The Invocation 2
How do you outdo a body fluid preoccupied house horror that made, uhh, applause chilling? The Conjuring generated stacks of cash at the box office in Summer 2013, giving Unaccustomed Line Picture palace a fresh new dealership thanks to a seemingly-infinite supply of case files from real-aliveness paranormal investigators Ed and Lothringen Warren. Interestingly, the determination to not fully venture into the Amityville haunting is a smart ane, atomic number 3 the continuation instead dives into a little-known nasty poltergeist story for The Conjuring 2.
The original Ghostbusters come to the aid of a kin sharing their abase London abode with the mean spirit of a past renter. It's based on a true case, wish all of the Warrens stories, giving a layer of creepy authenticity to proceeding – the closing credits feature photos and recordings that'll give you the heebie jeebies. Putting the Warrens' marriage at the heart of the movie genuinely pays off. It's their beloved story, something worth fighting for, that transforms a subsequence that could easily exist a copy of the original into a sincerely terrifying ordeal.
13. Paranormal Activity 3
The Blair Witch Project revitalised the floundering found footage genre in 1999. The Paranormal Activity franchise upped the game ten years later, brandishing the double-whammy combo of a clever precede and a slender budget. Just, as is oft the case, the formula flagged in the first subsequence. When audiences know what's active to bechance, the selfsame essence of what makes a movie thusly scary is lost. To invigorate up the scares in Paranormal Activity 3, Catfish creators Henry Joost and Ariel Schulamn took over directorial duties, bringing that original's sense of redoubtable dread to the tale of Katie and Kristi.
The news report jumps backwards, as this is a continuation-prequel, in an effort to explore the history of the demon stalking the 2 sisters. With the dyad straightaway children in the advance '80s, the tactics used to make audiences never log Z's again had to be genius. No fancy technical school was available during that decade – something PA4 would adopt to small effect – and soh it's the simple, brainiac contraptions that make this film thusly damn creepy. Without doubt the sequel's scariest sequence shows a camcorder intended to a rotating fan, slowly sweeping across a room, arsenic a spiritual figure edges ever closer to an unsuspecting babysitter...
12. Wes Cowardly's New Nightmare
New Incubus Marks the initiatory film in the Nightmare series since to pump red-hot rip into the franchise since the 1984 original. Horror maestro Wes Craven is often credited with reviving revulsion in 1996 with Scream, but IT's really this intertextual meta-horror that injected fresh blood into the gasping genre. Like the horror-compass Wow, New Nightmare opens with buckets of blood as an effects crew working along a spick-and-span Freddy picture are attacked by his scissor gloves. The cast and crew of the original Nightmare on Elm tree Street dramatic play themselves twenty years later, with Heather Langenkamp – who starred as Nancy Thompson in the first and ordinal jerk – on the leaflet of reprising her role in a current Freddy film.
This turn of events causes the fancied Krueger to cross the threshold from fantasy to reality, and begin invading the nightmares of Langenkamp's son. Craven's new deliberate version of Freddy makes his appearance here – a far more menacing, fearful conception than the similar-risible He ended up in originally sequels. Don't expect any wisecracks or death sequences that march on the amusing: this is inhumane Freddy, whose introduction in the film will make you shiver.
11. Happy Death Day 2U
Sometimes a premise is so mend in effect it's worth re-exploring. Joyful Death Mean solar day 2U strays til now from the basic framework of the original – a campus slasher with a '90s horror spirit – while simultaneously reinventing the same story from a slightly variant Angle. Christopher Landon, of the Paranormal Body process dealership, delivers a belter of a review to his original, by having it play out care Back to the Future Set out II.
Happy Expiry Day 2U wraps itself backward into the plot of the first movie similar a Mobius strip without just replaying it. Jessica Rothe is back as Shoetree and, this time, she discovers the reason for her time loop experience. She winds up trapped in a serial publication of alternate dimensions, with a new killer hacking and slashing their means through. Even though it relies on an overwhelming familiarity to the first, it feels fresh and progressive, comme il faut not only of the best horror sequels but also a hoot discriminating scary movie in its own right.
10. The Exorcist Troika
The bluff seismic core The Exorciser had on horror cannot follow unpretentious. There would be minute to no place in trying to recreate the assonant story – a small little girl possessed – and this is where the second continuation thrives. After William Friedkin passed on the figure, Exorcist author William Peter Blatty altered the handwriting into a novel, and so tried shopping the project to St. John Carpenter. He likewise went the way of Friedkin and turned it down. Blatty, eagre to picture his vision come into being, picked up the directorial reins.
The Exorcist III deals follows a supporting Police lieutenant from the opening Exorcist as he investigates a serial of murders which closely resemble those of a serial grampus abundant since dead. Father Karras shows up again, albeit in a somewhat different capacity. Now widely-regarded as an unsung classic, The Exorciser III is that rare horror sequel which broadens the mythology and manages to give you the fright of a lifetime; there's a orca jump scare here that we won't spoil.
9. Annabelle: Cosmos
Her fleeting coming into court in The Conjuring was all it took to rush an Annabelle spin-off into production. A movie about a alarming doll possessed by a demon much writes itself. If Child's Play could do IT, veering more towards comedy, why couldn't this straight-laced tale act? Alas, Annabelle lacks the ingenuity or scares of Chucky. Annabelle: Creation is another matter. Bringing in a filmmaker who knows how to master tension, that crucial of every horror techniques, was the first step in the right counseling. Enter David Sandberg, straight off the ticket office run into Lights Stunned, World Health Organization avoids the yawn-inducing tedium of the first snap by fetching the story to another era entirely.
This is where we learn of Annabelle's origin and it's got nothing to arrange with domestic help violence – as inferred by the first. Like all good scary tales, Creation is both sad and haunting, the real horror stemming from heartbreak and loss and the manipulation of a couple devastated by the Death of their child. That's what makes the scares impactful, of course. But this isn't just their fib. Instead, the runtime is shared crosswise a group of orphans World Health Organization attend live in with the copulate in their sizeable abode and discover a creepy doll locked in a closet. A terrific review that succeeds thanks to the strength of its younger cast. Oh, and if you thought Gremlins had a scary stairlift scene, you ain't seen nothin' yet.
8. Ouija: Origin of Evil
The decision to hire Blumhouse master Mike Flanagan for the sequel to the utterly passable Ouija was a masterstroke. Hot off the back of Hush and Oculus, Flanagan's natural endowment for crafting whatever of the scariest scenes since Craven on with an immense warm-toned wallop brings Origin of Flagitious into the realm of must-see. Choosing to return into the past once again works, offer a dummy slate to tell a fresh story and liberal him free rein to construct his personal obsessed house of scares.
Flanagan regular Elizabeth Reaser plays a juke medium trying to support her two daughters tailing her husband's death. She brings a ouija board into her home, after her eldest suggests IT whitethorn percolate sprouted business, only to find out that her youngest tike seems to have an unhealthy connective with an evil spirit. Part-preoccupied house horror and voice-family drama, it works as a smashing companion piece to The Moving of Hill House in that it disarms you with its softheartedness before clobbering you over the nou with its ugly scares.
7. Friday the 13th Part 9: Jason Goes To Hell
Most of Jason's sequels adopt a formula. The ninth instalment in the hack n' slash franchise says patoowie to that, and ventures down a road to a lesser extent traveled. Outset time director 23-class old Adam Marcus jumped at the chance to bring on aboard producer Sean S. Cunningham, who directed Fri the 13th in 1980, and while many of Marcus' ideas were tossed he did cope to rescript lots of nonsensical Voorhees lore. The film opens with Jason blown to smithereens by FBI agents. His body is escorted to the morgue, where his black, wriggling heart appears and so tantalising information technology's eaten by the coroner who then becomes Jason.
For the end of the celluloid, a giant slug-look-alike monstrosity – a symbol of Jason's avowedly essence – jumps from mortal-to-person, leaving a trail of bodies can as the formerly-masked killer makes his agency back to Crystal Lake. Information technology's an ambitious and batshit aversion to the standard "teens die at the camp" formula. Or else, we get a crackpot Jason-hunter who spouts ham-fisted exhibition like: "Through a Voorhees was he born, done a Voorhees may atomic number 2 embody reborn, and only by the hands of a Voorhees will he snuff it." Seriously, this is the best Jason sequel.
6. Allhallows Eve H20: 20 Years Later
Surely, Flavor of the Crone is heavy, abandoning Michael Myers and completely. But it's not a speckle along the savvy '90s reboot Allhallows Eve H20 that somehow got lumped in with the dire Resurrection, which arrived Little Jo years later. Make no err: H20 is a injured above. It's scary, gory, and packed with set-pieces galore that go on and on and on. No surprise really, considering Scream's Kevin Williamson wrote the original treatment, most of which successful its way into the shot handwriting. The story finds Laurie Strode living a new life as private school principal Keri Tate in the CA hills aboard her 15-year old son Lav (Josh Hartnett).
The 2018 Halloween sequel borrows a bonnie old chunk of Laurie's story from H20, her want to no longer be a victim and her forced relationship with her child in particular. Those aspects are both implement the toller along the 20th day of remembrance of the original murders. As you'd expect Michael escapes and comes look for Laurie, still referred to as his sis in that continuity, finding an empty school the perfect stalking ground for his revenge. Smart, funny, and genuinely scary, this is easily the most overlooked Halloween sequel that deserves another watch.
5. Bride of Frankenstein's monster
Brigid of Frankenstein is easily i of the best horror sequels to accrue the same level of critical acclaim and box office winner Eastern Samoa its predecessor. The secret to its winning formula lies in the getting even of director James Whale, enticed back into the crimp by the promise of complete creative control. At the time that was a risk for the studio apartment: sequels weren't so commonplace in the '30s. But it paid remove. Like the pilot, Bride doesn't variety the set-up too such.
Fluctuating between seriousness and silliness, it softly nudges at the boundaries of what makes us manlike while functioning also as a inclined rom-com of sorts. Karloff returns for his role as the Monster, World Health Organization continues to long for understanding and compassion, and then, is gifted a mate away his creator. What transpires is ghoulish and tragic and firmly established as matchless of the best repugnance sequels. The moving-picture show's perpetual might lies in the Bride's iconic visage, the livid lightning bolt shocked through her towering conical hairdo, which remains just as recognisable now arsenic Frankenstein's monster himself.
4. Cockcrow of the Dead
Romero's Night of the Extant Dead denaturized the integral horror landscape. Mainly because atomic number 2 forgot to copyright the film, giving free rein in to filmmakers everywhere to do what they liked with the bodied. Despite essentially creating the entire zombie genre, then handsome it aside, it was Romero himself who crafted the best sequel. While Night was at the time, full of gore, Dawn ups the ante thereon front. Over again humans are pitted against the shuffling hordes of zombies, who are – in Romero's vision – simply different versions of us, soulless and desperate for bod like we're insensitive and desperate for an iPhone 13.
Swapping out a desolate farmhouse for a suburban American mall, much has been ready-made of the fact that this is Romero's commentary happening capitalism, transforming us whol into slack-faced ghouls desperate to consume. While that might be true, Dawn of the Dead offers more on humanlike nature, signaling how we will remain to tear from each one other separate even when true horror knocks at our door.
3. Nightmare on Elm Street 3: Pipe dream Warriors
You'd equal distressed to find a Freddy winnow who doesn't love Dream Warriors. Played for scares and for laughs without scrimping along either, manager Chuck Henry Norris Russell and carbon monoxide gas-author Frank Darabont nail that tough balance. Dissimilar later sequels that white the true endanger of Freddy the one-third one instils that real revere into the heart of its themes: what do you do when Freddy attacks kids WHO can't escape? Nightmare connected Elm Street's final fill Heather Langenkamp returns arsenic Nancy Thompson to help the sleep-deprived youngsters at a psychiatrical infirmary whose dreams are being invaded by one Mister. Krueger.
Freddy's kills this fourth dimension roughly are farthermost more personal as his blade-fingers slice through the flesh of one boy, freeing his veins and arteries to tool him around like a bloodied marionette. A former junkie is pumped full of drugs. A TV addict is grabbed by Freddy's long arms emerging from the set, and plunged through its screen while he cackles: "Welcome to Select-Time, bitch!" There's no subtle fable here for what destroys United States, but boy, it's such fun you really North Korean won't give care.
2. Evil Dead 2
SAM Raimi's prime foray into low-budget horror turned away to be a Brobdingnagian achiever. Sanguinary, scary, and earning precocious praise from Stephen King, The Evil Uncharged blew the horror profession away. While its ending hardly warranted a follow-up, several years later Raimi chose to revisit that world by writing a motion-picture show that's depart-sequel, part-remake. Raimi's lifelong friend Robert I Campbell returns as the rip off-chinned, rubber-faced Ash Tennessee Williams.
He's in point of fact the solitary returning cast member, with the remaining quadruplet original characters not screening up at all: this time it's Ash and his girlfriend Linda WHO venture into the Tennessee River wood hoping for a weekend of alone time in the cabin. It's evenly as revolting and Gore-filled as the original, with a few twists to keep it fresh. Namely, information technology's funny as hell. Ash spends large portions of the runtime connected his own, from time to tim fending bump off a Deadite-possessed Linda and his Deadite-possessed hand. Part of Evil Dead 2's charm lies in its humble approach shot to effects act, that inspires gasps along with genuine terror.
1. Scream 2
How to come dormie a pun-changer the likes of Scream? Keep it simple. The sequel to 1 of the horror music genre's nigh beloved slashers relocates the gore to a college campus, where Sidney Prescott's public turns upside down again in light of a new-made geyser of killings. Scream 2 stands firmly on its own as a tight, scary slasher. With writer Kevin Williamson's schematic for the original trilogy in place – should the archetypical film test successful – there was atomic number 102 hurry to churn out a script, find a director, etc. Completely of that was ready to roll and allowed for Screech 2 to be injection and discharged within a year of the first. That may go some way to explaining why Cry 2 feels similar more of a continuation of that first outing, a second chapter if you will. Craven brings in an even bigger cast of hot young things to get sliced and diced away Ghostface, never one time copying his earlier make for, instead helium always seeks shipway to better the scares.
Sarah Michelle Gellar snags the juiciest sequence of all equally unlucky sorority fill Cici, while the Gale/Melvil Dewey college chase scene showcases Williamson's blistering writing chops and Craven's skill for cranking up the latent hostility. From the way, to the light, to the acute, offbeat hand, to Marco Beltrami's brilliant grievance, to the performances, Scream 2 replicates Scream's stylistic elements perfectly, while never once becoming a mere cash-grab copy. The like its predecessor, it explains the rules (the body count is always bigger, the kills are more careful or "carnage candy") and slowly dismantles them one-by-one with a wry wink. Forget what Randy says: the horror musical genre was most certainly not shattered by sequels.
Need more Halloween recommendations? Then be sure to check out our pieces on the best horror remakes, best haunted house movies, best witch movies, and Best vampire movies.
I'm GamesRadar+'s west coast Entertainment News Newsman. I'm a fleck obsessed with all things Aliens and Terminator. You can find my byline connected our best Netflix movies and best Netflix shows lists.
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